publication venue for
- Polish Language and History in A Streetcar Named Desire. 41:8-10. 2011
- Cultural Memory and Circular Time in Suzan-Lori Parks's Betting on the Dust Commander. 39:8-11. 2009
- Shakespeare Knocks: Macbeth in Adrienne Kennedy's Funnyhouse of a Negro. 34:8-10. 2004
- At Liberty: Tennessee Williams's Early Crucible. 33:8-9. 2003
- The Sobbing Dubois Sisters in Tennessee Williams's A Streetcar Named Desire. 33:6-8. 2003
- Echoes of Reflexivity in Tennessee Williams's 'A Perfect Analysis Given by a Parrot'. 30:7-9. 2000
- Performing Scripts in David Mamet's Speed-the-Plow. 28:5-6. 1998
- 'Hello from Bertha' as a Source for A Streetcar Named Desire. 27:6-7. 1997
- Just Released from Performance: Tennessee Williams The Dark Room. 27. 1997
- Tennessee Williams, Ernest Hemingway, and Fidel Castro. 26:6-7. 1996
- Bonaparte Kowalski: Or, What Stanley and Napoleon Have in Common (and What They Don't) in A Streetcar Named Desire. 24:6-8. 1994
- Color Connections in Adrienne Kennedy's She Talks to Beethoven. 24:4-6. 1994
- 'Red-Hot!' in A Streetcar Named Desire. 19:6-8. 1989
- Revealing Illusions in David Mamet's The Shawl. 16:9-10. 1986
- The Subtle Drama of Richard WIlbur's 'Exeunt'.. 5:11-13. 1975
- 'It's Hard to Be Human': The Ironies in Tennessee Williams's 'Tent Worms'. 36:9-12.
- Audre Lorde's 'Afterimages': History, Scripture, Myth, and Nightmare. 38:9-12.
- Disrupting Racial Performances in Amiri Baraka's Police. 37:2-4.
- Eyewitnessing in Tennessee Williams's Small Craft Warnings. 32:9-11.
- Megan Terry's Amtrack: An Iran-Contra Comedy. 20:3-5.
- Mitch and Murray in David Mamet's Glengary Glen Ross. 18:3-5.
- Rutting in A Streetcar Named Desire. 22:2-3.
- The Ending of Edward Albee's A Delicate Balance and Agamemnon. 21:3-5.
- The Exisential Nightmare in Tennessee Williams's The Chalky White Substance. 23:8-11.
- The Function of Susie in Tennessee Williams's Period of Adjustment. 25:10-11.
- Therapists in Susan Glaspell's Suppressed Desires and David Rabe's In The Boom Boom Room. 18:2-3.
- Vulnerable Intimacies in Tennessee Williams's 'Happy August the Tenth'. 32:4-6.
- Why Stanley and His Friends Drink Jax Beer in Tennessee Williams's A Streetcar Named Desire. 20:2-3.